CLASH OF THE CLASSICS: MGB GT V FIAT 124 SPIDER

This week’s clash of the classics hopes to answer an age-old question asked by many classic car buyers. British or Italian? Sausage or salami? Tower bridge or the leaning tower of Pisa?

 

Looks:

The Fiat is a splendid looking car, simple, elegant and toned. Its wings and bonnet bulges are every bit as Italian as anything that came out of Maranello. Which is believable, considering the Spider was designed by Pininfarina. With the roof down jaw-dropping, and quite spacious…Which it needs, as the driving style is also typically Italian. Good for those with short legs and long arms.

MG’s BGT is the archetypal classic. It’s the go-to car, a wonderful reminder of why we love older vehicles. More importantly, it’s a memento for car stylists. It proves that a car can be imposing without the need for 20-inch alloy wheels or impossibly wide arches.

 

Performance:

The 1800cc engine in the BGT only has 84bhp. There’s a throaty burble on tickover that moves to a meaty mumble when revved and it’s this noise that will make you love it, and not necessarily the performance figures.

The Fiat is slightly more powerful, pushing out a useful 10bhp more than the MGB. If anything, it feels slightly more than 10 bhp up, as it’s two seconds quicker to 60mph.

 

Price:

Price could be the decider in this one. Good MGBs start at £5000. You’ll see a few for more, but there’s no need to pay these attention. There are always hundreds of them for sale, and bargains are definitely out there. The Fiat is entirely different. Scarcely available, if you’re really after one a seller can determine the price as it may be the only one for sale. Expect to pay upwards of £10,000, with good ones easily fetching £15,000.

 

Result?

Clash of the classics almost feels unbefitting of these two beauties. They compliment each other, rather than clash. The Fiat is something to pose in, something to enjoy for an afternoon. It’s a car you can put the roof down in, take in some sun while listening to that yelping twin cam. The MG’s more comfortable, maybe even more grown up. It can take you to the Peak District in comfort, then show you a jolly good time when you get there.

CLASH OF THE CLASSICS: BMW M3 VERSUS MERCEDES-BENZ 190E COSWORTH

These two titans of German performance battled hard on track, but which car makes most sense on the road? With BMW M3 E30 prices surging past £20k and decent 190Es on offer for around half that, is the M3 really twice the car? 

The Power
It's hard to imagine now, but the M3's power output was a lot. You also have to remember that there's not much to an E30; that 195bhp 2.3-litre's four-pot will whisk you to 60mph in a shade under seven seconds and on to just shy of 150mph.  
The three-pointed star hits back with 185bhp thanks to us Brits (via) Cosworth, who developed the cylinder head, camshafts, valves. It too displaces 2.3 litres, though a 2.5-litre (with 204bhp) was offered from 1988. It does take around a second longer to get 60mph and is around 6mph slower, but in the real world would you feel it? 

The Glory
BMW M3 is one of the most successful racing cars ever made, with dozens of national and international race victories, championship wins and more to its name. It took the British Touring Car Championship in 1988 and 1999, and scooped the 1987 World Touring Car Championship driver's title for Roberto Ravaglia. It also proved to be handy in tarmac rallying, Bernard Beguin piloting a Prodrive-built car to victory on the 1987 Tour de Corse.
The Mercedes… well, every time it tried the BMWs were either a step ahead of them, or an interloper appeared with a turbo (Ford Sierra RS500 Cosworth) or a whopping V8 (Audi V8). Nevertheless, Mercedes finally took the DTM title in 1992 with the fantastically bodykitted Evo 2. The 190E Evo 2 dominated that year, being first to the flag in 16 races. It also gave birth to a homologation special road car with all the spoilers of the race cars. Who said Mercedes were boring?


The Looks
While the Mercedes is undoubtedly more sporting character than regular 190Es, it's not particularly showy about it. Yes, the bodykit is quite exciting, but for something wearing the Cosworth badge it's positively shy. There's some merit in that approach – it's much less likely to attract tea leaves. 
The M3 however is an E30 on steroids. Its box arches only hint at the car's dynamic abilities, but despite this it's not too overblown. The later evolution models did add more spoilers, though nowhere near as much as the aforementioned 190E Evo 2. 


The Handling
Pootling around town you'd be struggling to see what the fuss is about with the M3. It's a bit sow on the up take and it's hardly the most tuneful engine. But get past 5000rpm and you'll enter a whole world of fun. The stiffer and wider suspension helps you put the power onto the road with aplomb, and the revised rack means the steering direct. It's a car for maximum attack driving, really.
This is quite a contrast to the much more refined Mercedes. Yes, it's suitably fast and it's got plenty of heave, but this is much more at home cruising at high speed or turning lightly curved A-roads into slivers of high-speed high jinx. It's not exactly a car for firing around circuits.
Or so you might think – in 1984 one Ayrton Senna once took on the world's greatest F1 drivers in a demo run for Mercedes' then-new 190E Cosworth – and beat everyone.

Living With It
Going back to our earlier point – the M3 is really a weekend thrill machine. To use it everyday would be like getting a Collie dog to simply play high fives. The M3 would do all you'd ask of it, but it's best suited for the task it was created for – highly cerebral maximum attack. Though I'm not sure we'd herd sheep in one – that chin spoiler is quite low. 
The Mercedes, if we're using the dog analogy, is more like a Greyhound. Yes, it can go very, very fast, and do so for a long time, but when it's not chasing the horizon it's happy to doze around and do its thing in the manner of the best Mercs – serenely, solidly and quietly. Though I'm not sure the Merc would look its best snoring upside down on a sofa for hours on end like a greyhound would.  


Summary
To sum up – both cars are highly desirable, but as everyday transport only one is really up to the task, and that's the 190E. But for a Sunday morning blast across the Moors? It has to be the M3. 
Ideally, you'd want to own both. Now where's my Euromillions ticket…

EXPERTS TIP 1980S AND '90S CAR TO SOAR IN VALUE

Experts tip 1980s and '90s car to soar in value

Experts tip 1980s and '90s car to soar in value

The head of insurer Hagerty’s online valuation guide has declared that the best cars from the 1980s and ’90s are the ones that will rise in values the most in 2015.  
John Mayhead was speaking at Club Expo, the annual gathering of classic car club representatives, at the Heritage Motor Centre on 28 February. ‘The trends of last autumn have continued,’ he said. ‘The big movers are the 1980s cars – the Ford Capri MkIII, Lamborghini Countach, Ferrari 308 and BMW E30 M3.’
Other experts at Club Expo predicted that the rise of 1980s classics will have a knock-on effect in terms of what is defined as classic. They said that the 1990s BMW M-series cars of E36, E39 and E46 vintage will start to be collected, and that the Type 916 Alfa Romeo GTV Cups have already started to increase in value. However, they also warned that values for unexceptional pre- and just post-war cars will remain flat, moving at roughly the rate of inflation. For example, the Ford Zodiac MkI, Standard 10 and Austin A40 have all increased by 2% or less, year on year. 
Mayhead reported that the top end of the market was settling down after some high figures were achieved in 2014. He said: ‘So far, indications from the USA show that the astronomical figures paid are beginning to correct. One example, a Mercedes-Benz 500 SL that would have sold at Monterey last August, failed to make its reserve at Scottsdale. At that auction, we saw 70% of sales in the lower half of the estimate or under.’ He added that the Rétromobile auctions were skewed by the Artcurial results. ‘They weren’t a true reflection of the market,’ he said. ‘Even here, the Silverstone Race Retro results were not really indicative, as the big-ticket cars were exceptional and the whole field was particularly strong.’
Classic Car Weekly auctions columnist Richard Hudson-Evans cautioned about the use of 1980s cars as investments. He said: ‘Many are just old cars that aren’t necessarily collectable or rare.
‘Earlier cars will always have a collectible status attached to them because they’re rarer. As for the ones from the 1980s, people shouldn’t get carried away investing in these cars.’ 

Murray Scullion

CLASH OF THE CLASSICS: THE FERRARI DAYTONA VS MASERATI GHIBLI

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Preserved by the elite and coveted by the rest of us, the Maserati Ghibli and the Ferrari 365GTB Daytona are two superstars that saluted the old-school tech they embodied - but which one is the true hero?

 

Just like fashion and sex-crazed Governmental leaders, the best Supercars come from Italy. The prancing stallion and spiked prongs of Ferrari and Maserati have crafted various masterpieces throughout the decades, but when it boils down to the finest front-engined GT offerings, two masterpieces immediately spring to mind. 

They may have been ten times the price of lesser steeds direct from Detroit, but the Ferrari 365GTB/4 and the Maserati Ghibli not only passed the magic 1000-sold mark, but also offered grace, dignity, style and speed in one big package. Today, these cars command premium prices but you don’t need to be Donald Trump’s kept mistress to afford one. You will need around £260k, however, for a less desirable example. So, for your life savings, which stallion deserves that currently unoccupied garage space?


The Looks 
Some journalists say the Daytona is too brutal to be beautiful, but we disagree. Prominent and impressive, the Daytona haunts your thoughts with its dominating wheel arches and muscular body. The pop-up headlamps offer child-like ‘ooohhh’ value and, with that protruding bonnet and truncated tail, deal a balanced shape that is almost perfect in its svelte dimensions. 

However, while the Ferrari is impressive, the Maserati is utterly drop-dead gorgeous.  With Giugiaro styling and seamlessly flowing lines from nose to tail, the Maserati Ghibli trumps even The Birth of Venus in terms of awe-inspiring artwork. It too has pop-up headlamps, which seals the deal.


The Power 
The Ghibli’s V8 may be two carburettors down when compared to the Daytona, but power is still abundant. 335 ponies are at your disposal when cresting 5500rpm, that means a top speed of 165mph. Impressive as this sounds however, the Ferrari takes the power round. 

Line these two up for a 0-60mph drag race and the Ferrari will cross the line a full second before the Ghibli. 352bhp of thrust helps the Daytona to 174mph at the top end. The Ferrari was so quick for its day, it wasn’t until a decade later that the Porsche 911 Turbo could finally pip these performance figures. 


The Handling 
The Ghibli makes use of a supple chassis that provides added excitement the faster you go, with a creamy smoothness and instant feedback that permits you a maniacal grin. Placing a Ghibli on narrow, everyday streets can be undertaken without much fuss and ultimately remains undeterred when speeds rise on main roads. There is a slight yacht-like amount of body roll when entering a tight corner in a spirited manner, but the Ghibli remains communicative and almost forgiving of hooligan-esque driving.

The Ferrari employs a fine all-independent suspension system, but the ride is strangely firm and inflexible. The Daytona also seems to wander on uneven roads and this can lead to nervous dispositions upon venturing off on a long journey - not to mention considerable pressure when taking on narrower roads. As with the Maserati, improvements in handling and ride comfort come with higher speeds, but the composure of the Ghibli has this round licked.

Living With Them
The Ghibli has a more conventional cabin than the Daytona, but where the Maserati offers frank usability, the Ferrari presents a truly special place to sit - with an exuberant interior reeking of driving enthusiasm. As everyday cars, both of these Italian assets can provide ample comfort over any commute, but the fuel consumption will seriously damage your wallet. Expect 12mpg - at a push. 

Parts will be expensive, servicing will be expensive, extreme care will need to be taken when trying D.I.Y tasks and you can kiss goodbye to any extra spending money, but it’s actually a small price to pay for having one of these on your driveway.

Verdict
Picking a winner isn’t as tough as we originally thought. You can never fully relax in a Daytona like you can a Ghibli and the Maserati has the comfort war easily won. It might not be as fast as the Ferrari, but it handles in a far superior manner and steals your heart through its charismatic aesthetics. 

The Ferrari is in no way a bad car, but for a good time, the trident beats the horse this time around. 

10 QUIRKY MINI CONVERSIONS

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They said the Mini couldn't be improved. These coachbuilders begged to differ...

 

So many characters, including Enzo Ferrari, Peter Sellers and Steve McQueen owned a specially-tailored Mini. Yet the appeal of these cars has yet to wane. Gathered here are some of the best of a particularly British breed. Even if one of them is Italian.

But the sheer breadth of these conversions is a good reflection of the massive appeal the Mini had at the height of its powers, during the 1960s and '70s. As the standard car became too run of the mill for some owners, there were plenty of companies willing to accommodate their every whim and desire - at a price. If you fancied a slice of al fresco driving, the likes of Crayford could build you a very appealing convertible. If you craved big car creature comforts, Harold Radford or Wood & Pickett could equip your Mini with timber, leather and maybe even a record player. Then there were those firms where the standard outline wasn't sufficient and needed tinkering with. Often, the floorpan and running gear were all that was left of the donor Mini by the time they were finished.

Now, behold 10 of the best ones...

 

Mini ERA Turbo

In 1988, ERA set out to engineer a car to the highest automotive standards, and decided to use the Mini as a basis. Built with the intention of celebrating the car's 30th birthday, this was a money-no-object exercise in performance engineering. Despite that, it was designed to use as many tried and tested standard Rover components as possible. This would explain why under the ex-Mini City body beat the heart of an MG Metro engine, boosted by a Garrett T3 turbo. It developed a maximum power output of 64bhp at a giddying 6300rpm, and ERA claimed a 0-60mph time of 8.8 seconds, and a maximum speed of 110mph. This was pretty impressive stuff for a Mini, and thankfully its stiffened suspension and 13in wheels, shod with Goodyear NCTs was more than capable of harnessing it all. Price was also giddying at £12,000 - around twice the cost of the standard car.

Did you know? Dennis Adams, of Marcos and Probe Sports Car fame, designed the bodykit.

 

Minisprint Traveller

It's among the coolest-looking Minis ever, thanks to its low-line roof, combined with estate bodywork. Like its saloon cousin, it was the work of Neville Trickett and a degree of confusion has surrounded this car ever since it first broke cover in 1966. Until recently it was widely assumed that it was a one-off, built as an unofficial 'works truck'. However, photos exist which show MiniSprint Travellers with different registration numbers and slight detail alterations. Trickett himself recently confirmed that they were in fact the same car. However, the conversion was briefly offered for public consumption by Corsley Garage, with at least one ad appearing in print which trumpeted the Traveller as being 'the last word in customising for those who enjoy their driving.' Prices started at £750 and rumour has it that Steve McQueen had two, but it is now widely held that only one car was ever made.

Did you know? The prototype was recently discovered in Australia.

 

Radford Mini

Harold Radford introduced threee luxury Mini conversions in 1963. First of all there was the Grand Luxe which, as the name suggests, was laden to the gills with timber, leather and other niceties. It could have been yours for £1080 including the cost of the Cooper donor car. Then there was the Bel Air, which had only some of the toys, and the De Luxe which featured only cabin upgrades. There were a number of further iterations, not least the super-luxurious Mini de Ville GT (above), with a one-piece rear hatchback being available if you could afford it. This is perhaps the most desirable of all Mini conversions. Peter Sellers bought a Radford Mini for his latest for his latest wife, Britt Ekland, having already used a similar car with 'wicker effect' painted flanks in 'A Shot in the Dark.' The Radford name has since been revived, but there is no familial connection.

Did you know? Other celebrity owners included all four members of The Beatles, Mike Nesmith of The Monkees and actor James Garner.

 

Mini Gatto

The Gatto (Italian for 'Cat') was built for scooter magnate Vincenze Piatti. Based on a Mini Van floorpan and styled by future BMW head of design Ercole Spada, it was powered by a twin-carb Cooper motor. Though initially intended to be a one-off project, response to the car was such that a production run was mooted. Plans called for a new concern, Zagato London, to manufacture the car in the UK and the prototype was displayed at the 1962 Earls Court Motor Show. The Gatto was to have been made in limited numbers (no figure was ever released) for £1200, but there was one rather obvious barrier to success: BMC hadn't been consulted. When it was, the supply of parts wasn't forthcoming. The Gatto's styling, meanwhile was later reinterpreted for the Hillman Imp-based Zagato Zimp.

Did you know? The sole example made still exists and is currently being restored in Italy.

 

Broadspeed Mini GT

This Mini conversion was produced by garage owner turned race preparation guru, Ralph Broad. It was introduced in 1966, and the fastback conversion comprised glassfibre and steel. Despite tiny production numbers, five variations were offered. There was the 848cc entry level model, followed by the GT which was based on the 998cc Mini Cooper.

Next there was GTS, which was effectively the same as a GT save for a bespoke dash, extra gagues and moulded plastic bumpers and the GT SUper de Luxe (above) which featured all of the GTS' goodies plus uprated 1275cc power. This cost £1511 at a time when a regular Cooper cost £600. Finally, there was the GTS competition variant which, according to the brochure, was 'available to special order and selected clients only.' With its low-line rear end, you can be sure its maximum speed was off-the-scale.

Did you know? The GT was a casualty of Broadspeed having to move premises due to a compulsory purchase order.

 

Wood & Pickett Mini

Formed in 1947 by Bill Wood and Les Pickett, this London firm picked up from where Radford had left off as the leading 'boutique' Mini customiser. The 1970s was a boom period for the firm, with city dandies craving something more economical during those fuel-conscious days. For the Clubman-based Margrave, a cut-down Vauxhall VX4/90 grille and quad headlights was standard equipment. to this, chrome bull bars and panelled-over rear side windows were usually added, often with a padded roof and fake hood irons.

Did you know? WP offered trim and styling upgrades forthe Metro and the Montego in the 1980s.

 

Tickford Mini

There is a degree of speculation regarding who commissioned this carand if any replicas were made subsequently. What is know is that it was constructed in 1985 by Aston Martin subsidiary Tickford for £50,000. The most controversial element of its design was the stacked rectangular headlights. Well, that and the blanked off grille with its supplementary driving lights. Inside, it featured burr walnut dash and leather upholstery, There has been internet chatter which states that as many sa eight Tickfords were made, but evidence hasn't been forthcoming.

Did you know? Tickford customised all manner of vehicles during this period including a Triumph Stag, Mercedes-Benz SECs and a Carbodies taxi.

 

Ogle SX1000

Admittedly,this was perhaps a step beyond mere coachbuilding, but it did retain much of the Mini's structure. Introduced in December 1961, the SX1000 kept the donor car's fllorpan, inner wings and running gear, but the rest was largely bespoke. Customers were obliged to supply a new Mini along with a cheque for £550. In return, you received a glassfibre-bodied baby GT car. Options included a Cooper-spec 997cc A-series engine, which meant a top speed of 95mph. 69 cars were made through to late 1963, marque instigator David Ogle having been killed in the previous year after colliding with a lorry while en route to Brands Hatch aboard his Alexander-tuned SX1000. The car was revived by boat builder Norman Fletch but just four restled Fletcher GTs were made up until 1967, with one being campaigned by touring car star, John Handley. More recently, Nostalgia Cars has offered a replica with the Ogle family's blessing.

Did you know? Ogle also made a one-off Ford Cortina MkI-based coupe for Stirling Moss.

 

Euxton Caraboot

Of all the many weird and wacky Mini conversions ever offered, few can match the Caraboot for left-field thinking. Devised by Euxton Coach Craft Ltd of Lincolnshire, it combined a Mini, a camper and, get this, a boat. By means of a simple crank handle at the rear of the vehicle, the clamshell camper moved rearwards along grooves inset into some rather natty spats attached to the Minivan. At a stroke, your camper was now considerably longer than when you left home - about 15ft all in. There was allegedly enough room in the sleeping quarters to accommodate four in comfort. The roof of the converted van itself, could be unscrewed and used as a two-man row boat. How many were converted remains a mystery, but at least one still survives virtually intact in the UK.

Did you know? A film made by Pathe called The Caraboot is available on YouTube. It's a hoot...

 

Mini Wildgoose

OK, calling this camper conversion a coachbuilt Mini might be a bit of a stretch, but it certainly attracted plenty of press in the mid-1960s. Wildgoose (Worthing) Ltd of Sussex produced several iterations of Mini camper. For the princely sum of £998 in 1966, you too could have owned a Wildgoose Brent, which featured a 'Super VEN' (vertically extending body), operated by a push button sited on the dashboard. As standard, you received a table, wardrobe, bed, two-burner Elton hot plate and four seats in the 'dinette area.' According to the press bumf, with its odd grammar and random use of capitals, the Wildgoose was 'Especially designed for retired couples who, being freed from business, desire the carefree life. There is no more reasonable way of seeing the country or the Continent or the World in 'COMFORT' than by Wildgoose'. With a top speed of 50mph, we beg to differ.

Did you know? If your push-button vertically extending body failed, there was the peace of mind of an emergency winding handle too.

BRITISH BEEF FOR SUNDAY LUNCH: THE LAND ROVER STAGE 1 V8

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Offering an exhaust note similar to Brian Blessed with a gnarly throat cold and the go-anywhere ability of Chuck Norris, the Stage 1 V8 was Land Rover at its best, making it prime British beef for Tesco value money.

You should buy a Land Rover Stage 1 V8. Do it. Do it. Do it. Do it.

You should buy a Land Rover Stage 1 V8. Do it. Do it. Do it. Do it.

Rovers now legendary V8 has been mated to various iconic motors throughout the decades, with the mighty Rover SD1, various TVRs and the MG RV8 only a select few from one of motoring’s most distinguished CVs.  

However, for numerous petrol heads - mainly the ones who enjoy a dirty weekend - the finest marriage remains the Land Rover Stage 1 V8.  From 1979 until 1985, the mother of all Land Rovers was bolted together using components from across the Solihull range - the LT95 manual gearbox from a Range Rover, the 3.5-litre V8 used in the military dark-horse 101 Forward Control and the chassis components from the globally adored Series vehicles - to remarkable effect. 

Churning out 91bhp from the detuned Range Rover engine, but with enough torque to literally tear trees out of the ground, working with permanent four-wheel-drive and a range of striking colours, the sheer grunt from this parts-bin beast took Land Rover in a new direction. 

Officially dubbed the ‘Series III 109 inch V8’,  ‘Stage 1’ actually referred to the first stage of investment from Thatcher’s Government to improve Land Rover’s product range - pumping in £200 million, this scheme eventually led to the development of the 90/110. We aren’t sure how Thatcher and her flaky government took to a car that looked practically identical to the pre-investment Series III, but the public adored them. 

Various owners removed the restrictors on the engine to allow all 135 ponies to strut their stuff, pushing the vehicle beyond Land Rover’s generally low threshold of safety. Even when standard, the V8 was enough to get you into a great deal of trouble. Besides drinking like Oliver Reed and offering the usual frighteningly wandery ride, the higher cruising speeds in tight corners would lead into a roll over even Lassie would be proud of. 

Yet, in the right hands the Stage 1 was unstoppable. Popular with mountain rescue teams and emergency services the world over, the steroid-fed Series variant maintained the Landy tradition of taking pregnant mothers through snow storms to hospital, carting equipment through floor waters, preserving rare animals from extinction and providing relief in war zones. 

In the classic car world, these are the Land Rovers to own. As far as beefy all-terrain vehicles go, the Stage 1 V8 Land Rover is the undisputed king of the bunch. Just keep that map outlining the nations petrol stations handy.  

BUY THIS, NOT THAT: BMW Z3 M COUPE VS BMW M135I SPORTS HATCH

BUY THIS, NOT THAT: BMW Z3 M Coupe vs BMW M135i Sports Hatch

BUY THIS, NOT THAT: BMW Z3 M Coupe vs BMW M135i Sports Hatch

The BMW 1-series could never be described as pretty. The swage lines on the MkI version made it look like an old sofa after the heaviest member of the family has fallen asleep in it for hours after Christmas lunch.
The newer-shape models are better-looking, but it’s not exactly the prettiest of all the hatchbacks. 
However, to judge the M135i by its looks is missing the point – put the aesthetics aside and you’ve got one of the most critically lauded hot hatchbacks ever made; well, among the critics who spend most of their video reviews sliding sideways. We wonder if they pay for the tyres sacrificed in the name of powersliding.

Nevertheless the M135i is a spectacular car to drive, but once you’ve tinkered with the options you’re looking at nearly £40,000 for one once you’ve tinkered with the options a bit. If only there was another way to get an similarly odd-looking BMW with red-hot performance…

The BMW Z3 M Coupe isn’t a hatchback if you’re a strict obsessive with car names, but it looks like one, and offers similar levels of practicality. It also looks really like no other car we can think of. A Scimitar GTE after some automotive foot-binding? A cross between the Ferrari 250 Breadvan and an M3?

Performance
It certainly doesn't behave like a bread van. European cars have between 317bhp and 325bhp from the BMW's M3-sourced six-cylinders – the two generations used E32 and E46 power units, respectively. This compares rather favourably with the M135i's 320bhp. 

Handling
The Z3 M's rear suspension was sourced from the aged E30 M3 set-up, but the latter car is lauded as one of the finest-handling cars ever made. So those concerns over age-related oily bits should be dismissed as 'if it ain't broke, don't fix it'. However, some owners have upgraded the suspension. Either way, driving one is an absolute treat. It's wonderfully old school in its approach; manual box and rear-wheel drive. It's almost as good for doing lurid slides in as the M135i. On the road it's all the car you would want to exploit, if a little more. It's no wonder they've got a devoted following. 

Looks
Neither the Z3 M or the M135i are conventionally pretty, but there's a wonderfully extravagant nature to the Z3 M that makes the M135i look boring. It looks like a car built for one thing – performance over aesthetics.

Practicality & interior
The Z3's interior may not be as refined as the newer car, but that gives it a wonderfully raw feeling – all the better for hearing the rasp from than inline six. Some owners still use their Z3 Ms every day, which just shows how well built these cars were. And despite being called a coupe, the Z3 M is just as practical as the M135i hatchback; the newer car can be specified with five doors, however. 

Summing up
However, the best bit about the Z3 M Coupe is the price – less than half the cost of a new M135i, just as fast and arguably better-looking. They're also rare – less than 1000 right-hand drive Z3 Ms were made over the two versions. Once the world wakes up to the underrated oddballs, the values will surely rise. 

THE 10 BEST CLASSIC CAR BARN FINDS OF ALL TIME

The 10 best classic car barn finds of all time

The 10 best classic car barn finds of all time

There is no more romantic a phrase in the old-car world than 'barn find'. For sheer heart-fluttering mystique it even tops 'Darling, I've bought that Lamborghini you've always wanted.'

The reason for this is that hidden cars are our buried treasure, and we;re all taught from a very young age that nothing is more special and magic than buried treasure. Tracking down forgotten cars in dusty, cobwebby barns is our version of a quest.

These days many are even happy to enjoy barn-finds vicariously; it seems to be enough of a thrill to buy a car that's lain undisturbed for decades. The right cars with good back-stories nearly always spark bidding wars. That's why so many cars go straight from barn to auction house, and the that's had a profound effect on the market place as a whole - the UK has seen an explosion in the number of cars described (often incorrectly) as barn finds.

The effect of a genuine discovery may now have been diluted, but they always retain enough of that treasure hunt romance to provide headlines for auction houses. It's the same driver that makes people buy lottery tickets: we all dream of opening that barn door ourselves one day.

So we've picked some of the great finds of the past:


Ferrari 250 GTO left to rot
Talk about hidden in plain sight - this Ferrari GTO spent 14 years sat in a field next to the owner's home in Ohio, completely neglected. joe Kortin had bought the car for a sealed bid of $6500 from a Texas high school in 1972. He didn't use it, but left it sat on a trailer. His kids used to slide down the bonnet. This rare right-hand drive car had been raced in 1962 by Innes Ireland, and he heard about its fate in 1982 at a GTO 20th anniversary meeting.

He turned up on Joe Korton's doorstep and, sure enough, there was the GTO sitting in a field of long grass. Nothing would persuade Mr Korton selling Innes the car, saying he was going to put her in a shed under cover (which he did), and extracted a promise that if he decided to sell he'd give me first option (which he didn't).'


Lamborghini Miura from Onassis
Stamatis Kokotas was known as the 'Greek Elvis', as much for his sideburns as his hit records. But he had a big fan in the shape of shipping magnate Aristotle Onassis, so much so that Onassis gave him a Miura S as a gift in 1969. Kokotas clocked up 52,000 miles in three years until it developed engine problems. The engine was removed and sent back to the factory; the car was left in a garage beneath the Athens Hilton - for 30 years. 

 

 

Battered and bruised, it was unearthed in 2003 when the hotel was being remodelled ahead of the Olympic Games. Having never been paid for its repair, Lamborghini still had the engine - on display in their museum. So, after 40 years, it was finally reunited with the car, which was auctioned by Coys in 2012. It failed to reach its reserve, but a post-sale deal was struck for about £300,000.

Ferrari Barchetta in the desert
Few things can be better than finding an abandoned Ferrari - apart from finding one that's been raced at Le Mans and in the Targa Florio. And like so many barn-find tales, that of 1950 Ferrari 166 MM Barchetta chassis 0052M began with the death of its long-time owner.

Reg Litton had imported the car from Switzerland to his Scottsale, Arizona home in the late 1950s. He had fun racing against Maserati-owning friends until something broke. Then the car was simply left in his backyard for the next 50 years, much of that time open to the elements.

The owner's children were smart and put the word out amongst Ferrari collectors, one of whom bought it sight unseen for $1m. He had the car mechanically overhauled but left the body as found. He also unearthed the car's racing history, won a trophy at Pebble Beach, then sold it to a Polish collector for 3.5m euros.

The buried Ferrari Dino
It's one of the great fairy tales: in 1978 some kids digging in a California backyard come across a Dino 246 GT buried there. Like much about this Dino, the truth is elsewhere; more likely someone who knew it had been buried there let the information slip.

In December 1974 the car was lifted from Wilshire Boulevard while the owners were enjoying an anniversary dinner at the Brown Derby restaurant, just weeks and 501 miles after the plumber had bought it as a present for his wife. Seems he'd overstretched on the car loan, and had hired some low-lifes to make it disappear. They couldn't bear to cut it up, as instructed, so buried it in the yard. 

Once unearthed and delivered to Farmers Insurance - now the legal owners, having paid out on it - there was so much interest from potential buyers that they put the Dino on display in a warehouse, from where everythig that wasn't bolted on got stolen.

Luckily there is a happy ending: someone did buy the Dino, then sold it on to Brad Howard hwo had it restored and was still driving it around LA 30 years later.


The Bugatti in Lake Maggiore
Not all 'barn finds' are found in barns, and even fewer are found under water. This 1925 Bugatti Type 22 Brescia was discovered in 1967 by a diver, and over the years became a sub-aqua club attraction. It seems the car was dumped in the lake around 1963 to avoid the payment of Swiss import duties, which by then were probably more than the 11-year-old car was worth.

There was no serious thought of extracting the decomposed car from the lake until 2009, when a young member of the sub-aqua club, Damiano Tamagni, was murdered by thugs. It was decided to use the car to raise funds for a charity in Damiano's name, and the footage of fishing the car out was seen right around the world.

Bonhams auctioned the Bugatti at their Paris sale in 2010, where it sold for £205,925 to American Bugatti collector Peter Mullin. He is keeping the car preserved in its as-found state.

Mercedes-Benz 500K still out there
One of the most valuable Mercedes-Benz in the world has been tracked down - but not seen yet. Unused for over 35 years, the 1935 Mercedes-Benz 500K 'Roadster Limousine' built for racer Rudolph Caracciola, gathers dust along with other rarities behind closed doors at Porsche Foreign Auto, a junkyward in Los Angeles run by the Klein family.

The car's last outing appears to have been to the Pebble Beach concours in 1978, where it won an award. Even Mercedes-Benz itself has been unable to prise the car out of the barn - the company offered to restore it for free in exchange for displaying it in its museum for a period of time. The offer was declined. So don't both knocking, it's not coming out. Experts believe the car would fetch well in excess of $10m if it ever did come to market, and the owners are said to know that.


Citroen 2CV prototypes
To prevent the Nazis getting their hands on them Citroen decided to hide the various prototypes that had been developed from the invading forces during WWII. In fact they concealed them so well that after the war only two could be found. Or so Citroen said.

However, a memo has come to light from the 1950s ordering that other prototypes be scrapped. Luckily that instruction was ignored, and in 1995 three prototypes were discovered in the roof of a barn at Ferte-Vidame. How they got there is a mystery as they needed to make a large hole in the roof and use a giant crane to get them down.

Missing Cobra Daytona
Cobra enthusiasts spent decades trying to track down and buy CSX2287, the original Cobra Daytona and the only one of the six Daytonas to have been built in America. Some had even worked out its whereabouts, but it wasn't for sale. The car only came properly to light after its apparent owner, Donna O'Hara, committed suicide in 2000. O'Hara's mother then sold the car for $3m, sparking a massive and convoluted legal battle over who actually owned or had been promised the car.

O'Hara was the daughter of Phil Spector's bodyguard, who had apparently bought the Daytona from Spector in the late 1960s after he tired of all the repair bills and the number of speeding tickets he was collecting in it. And Spector was one of the (unsuccessful) parties trying to claim ownership after the death of O'Hara.

Bugatti Type 57S Atalante
Hidden away in a Gosforth, Newcastle garage for 47 years, this Bugatti was described in 2008 as 'the barn find of the decade.' However, it was later revealed that several 'hunters' had previously tracked down the car and made offers to buy it to the owner Harold Carr. A retired surgeon who suffered from OCD, he apparently knew its value and refused to speak to collectors. And quite understandably: his condition meant he hung onto everything.

As in so many cases, the car only came out into the open after Dr Carr died in June 2007. The Atalante, it turned out, had first been owned by Le Mans racer Earl Howe. One of just 17 built, it had covered a mere 26,000 miles and was in wonderfully unmolested condition. Auctioned by Bonhams as the centrepiece of their 2009 Retromobile sale, it made just shy of £3m.

The lost Jaguar Lightweight
Jaguar experts knew 12 Lightweights had been built, but could only account for 11 of them - until 1998 when WWII air ace Howard Gidlovenko died. No 12 was in his garage. Bought to race but barely used, it had been partially dismantled in 1963, then later on had areas of paint removed with a grinder to make it look like a wreck (divorce settlement). And there it sat for 35 years. It was auctioned at Monterey in 1998 for £540,671, then flown to England to be restored by Lynx for racing. 

25 CARS THAT BUILT BRITAIN

The Federation of British Historic Vehicle Clubs wants all classic owners to complete its new survey. So Giles Chapman has hand-picked his greatest British cars you will help protect by filling it in…

 

The FBHVC needs you! Or, at least, it needs to know everything about your keenness on classic cars, the events you attend, and the opinions you have of these precious vehicles in the wider community.

It wants to research an accurate picture of the classic car world today in this country, and implores all of us to fill in its detailed survey to give it our authentic feedback.

Hence, the National Historic Vehicle Survey 2016. It could be the most valuable 10 minutes you spend this year in shaping the old-car environment of the near-future. Visit www.fbhvc.co.uk/research/survey-2016/ to take part.

An historic vehicle, in the view of the Federation, is one made up to 1986, and that set us thinking: in that context, just what are the most influential cars this country has known? Not just for technical innovation or design panache but in British society, daily life and public consciousness? See if you agree with our 25 British icons – if not, get in touch. We’re looking forward to hearing from you.

 

1962-66 Ford Cortina MkI

WHY IT MATTERS Britain’s motorway age may have dawned in 1959, but it took Ford to make a car that could stand up to the relentlessness of pounding the tarmac between cities.

With Ford’s careful product planning, and £13m of budget, the Cortina turned out to be just the sort of car family and business motorists craved. In 1963, its first full year, 260,000 were sold, massively beating Ford’s own 100,000 estimate. The final MkI tally in 1966 amounted to 1,013,391, making this the fastest-selling British Ford so far. The reasons for its success were remarkable straightforward. It was slight yet gutsy, using aircraft industry techniques of ‘stress technology’ to get a roomy body that was simultaneously light and strong. And the methodology also made the Cortina very profitable, allowing Ford to forever more be attentive to the subtly changing demands of the British car-buying public. It came to be regarded as utterly conventional, but only after most other cars had changed to mimic the Cortina’s expertly planned success.

 

1967-73 Rover 3.5-litre P5B

WHY IT MATTERS 1970s British politics might have been turbulent, but the big V8 Rover played its part to keep everybody calm and collected.

Margaret Thatcher arrived in Downing Street in 1979 to begin her 11-year reign that would change Britain forever. But one thing that wouldn’t alter for a few years yet was the mainstay of the Downing Street car pool, the Rover 3.5-litre. They had been obsolete for a full six years but these stately Rovers had performed an understated job of serving Prime Ministers Callaghan, Heath and Wilson before Thatcher on their official business. Pipe-smoker Harold Wilson even had a special, ahem, high-capacity ashtray fitted to one. Nor was Maggie the only influential woman to enjoy the Rover’s well-bolstered comfort and creamy power. Her Majesty the Queen, no less, was a devoted owner.

 

1970-94 Range Rover

WHY IT MATTERS Arguably, the only truly brilliant car to emerge from the seven-year BLMC era, a proper world-beater.

In 1970, the Range Rover was unique – nothing else combined such unstoppable, go-anywhere ability with near-luxury car comfort. The rugged separate chassis supported permanent four-wheel drive for grip, coil-spring suspension for comfort, and Rover’s aluminium V8 for surging power.

Clothing it was a body of new-suit crispness that, while utterly functional, managed to exude upper-crust style. Today we regard it as a hyper-luxury car for footballers and rappers. Yet at first, it was aimed at the country set with muddy wellies and smelly gun dogs. And in many parts of the country, it still is.

Plush it was not, and it would remain primarily a working vehicle – albeit an extremely classy one – for its first 10 years. No wonder these early ones, used as their designers intended, are now worth a fortune as historically-important classic originals.

 

1959-67 Ford Anglia

WHY IT MATTERS Here is Ford’s first million-seller in Britain, a fun-to-drive small car that handed UK market domination to the Blue Oval.

Well, the finer points of the 105E Anglia in period are one thing, but for most people alive today it’s inextricably linked to Harry Potter, such is the role the little car has played in JK Rowling’s books and the fantastically successful movie franchise.

Actually, there wasn’t too much wizardry to the car, just sound design and engineering. After long years of asthmatic Ford sidevalve engines, the 105E switched to an eager ohv that seemed to positively like being revved, stirred along with Ford’s first ever four-speed gearbox. A 0-60mph time of 16.5sec was exceptionally swift for an economy saloon. The styling, meanwhile, was crisp and shapely. It was comfier than a Mini, stronger than a Herald, and more dependable than an Imp. In short, a winner
for the British man in the street.

 

1963-76 Hillman Imp

WHY IT MATTERS A doomed experiment to give Scotland a car industry of its own nevertheless resulted in a fascinating small car.

The Imp would always end up living in the Mini’s shadow, but it was a bold design with lots to commend it, and on-road dynamics guaranteed to raise a smile. The Rootes Group wanted a car that could do 60mph and give 60mpg but ‘Project Apex’ actually evolved based around an all-aluminium, water-cooled, four-cylinder engine mounted at the back like contemporary small Fiats and even BMWs.

The boxy Imp was a surprisingly stable car in corners, and quite feisty to drive with excellent, well balanced steering. Its opening back window heralded the hatchbacks still to come. To build it, the company was forced by the Government to spend £22m on a factory near Glasgow, but myriad problems with car and plant blighted the venture, and the Imp faded away in a sad, slow-motion demise.

 

1980-90 Austin Metro

WHY IT MATTERS For a small car it had a big responsibility – to carry the carcass of BL into the sun-kissed sales uplands of the 1980s.

Revealed on Friday, 8 October 1980, the slightly weird official title was the Austin mini-Metro, bets hedged on using an old favourite with a new name chosen by British Leyland workers. Most of the rest of the country already knew the car as Project LC8, the little hatchback to hit back at European superminis, and rescue BL.

And they used this crucial task to press the right emotional buttons. It was your patriotic duty to buy one (despite the milkfloat-like steering wheel, rowdy drivetrain and four-speed gearbox), and the TV ads with Metros manning the white cliff at Dover rammed that obligation home. Truth was, it was a good little car, the nation’s fourth best seller in 1981, although the Fiat Uno and Peugeot soon upped the supermini game massively.

 

1959-00 MINI

WHY IT MATTERS Proven by polls and expert opinions over 60 years, Britain’s world-famous small car is also the most influential, best loved and most recognisable ever.

The Mini’s ingenious concept and execution resulted in a staggering amount of interior space for a 10ft-long car. It was the 24-month design mission of Sir Alec Issigonis: erudite, obstinate and chain-smoking. Conceived as an exterminator of bubble cars, an ultra-compact ‘cube’ for four passengers, it turned into a technology totem, pioneering the combination of transverse engine, front-wheel drive, gearbox-in-sump, and space-saving rubber cone suspension.

It was idiosyncratic, with a shelf instead of a dashboard, nowhere for a radio and door pockets shaped around gin bottles. It also lost money – the £496 price really was too good to be true. But its logical design provided one of the most exciting driving experiences ever, playing its part in collapsing class barriers in the maelstrom of 1960s Britain.

 

1922-37 Austin Seven

WHY IT MATTERS This is the little car that not only brought motoring to the British masses but was this country’s first, truly attainable secondhand car for most.

After the First World War, the formerly booming Austin Motor Company hit the skids, and founder Herbert Austin decided it was time for something new and different – a real-car-in-miniature whose four cylinders, four wheels and four seats would crush the pathetic cyclecars that populated the truly budget end of the market. To ‘motorise the common man’, he and talented 18-year-old draughtsman Stanley Edge retired to his home, and together designed the Austin Seven on the billiard table. The little car could do 40mph, cost £165, and was a massive hit, transforming the British car market and causing Morris and Ford to change tactics. In a wider context, the Seven taught BMW how to make cars, and Nissan how to copy them…

 

1966-74 Lotus Europa

WHY IT MATTERS Lotus made a mid-engined baby supercar that you could actually afford.

Originally it was called the Lotus Europe, and it was a rare cross-Channel co-production, with Renault providing the engine and transmission from the R16. With a little company like Lotus left to break such new ground, there were bound to be a few flaws; and the renamed Europa was claustrophobic (the windows didn’t open) and cramped, but the driving experience was as sublime in its way as the Elan, establishing new roadholding standards that would live on for years in the Esprit.

 

1952-55 Bentley R-type Continental

WHY IT MATTERS In the year that Elizabeth became our monarch, this Bentley was king of the road.

The Continental was the fastest genuine four-seater car on earth. It was also one of the most beautiful cars on sale, mildly influenced by the Cadillac 62 Coupe, scientifically proven in Rolls-Royce’s wind tunnel, and understatedly finessed by company designers with skill and taste. Crewe’s flagship was an owner-driver super-coupé. The refined straight-six engine was tuned, and gearing was altered to suit high-speed cruising. Its alloy bodywork was built by HJ Mulliner in west London, on a special, lowered chassis. If anything, the car was too comfortable, and the demands of fat-cats meant later Continentals lost the sporting edge that made this the most thrilling Bentley since the marque’s 1920s heydays.

 

1926-38 Daimler Double Six

WHY IT MATTERS These mightily impressive cars were firm favourites with the Windsor household.

Daimler’s sleeve-valve V12 arrived to thrust the staid British marque into the ‘ultimate car’ limelight, and in a short chassis saloon its 150bhp could allow 80mph. Fitted with towering Hooper coachwork, the it rumbled sedately with the King easy to spot sitting regally at the back. There was no mistaking a Daimler from the Royal Mews; it always had a black-painted radiator grille, and, of course, a colossal wheelbase of over 12.5ft. Such patronage kept Daimler in high esteem with the public, but after the Second World War – with the silent V12 a distant memory – the pendulum finally and inexorably swung towards Rolls-Royce.

 

1936-40 SS Jaguar 100

WHY IT MATTERS These handsome beasts should get the credit for templating the upscale British sports car.

When William Lyons took the wraps off his SS100 range in 1936, there was a collective gasp from the British motor industry. He’d managed to produce a two-door roadster with coachbuilt Bentley levels of sporting elegance for a fraction of the price. It was good looking from any angle on its standard centre-lock wire wheels, and stoking desire in all who clapped eyes on them.

In those days, the engines still came from elsewhere (Standard in this case, the tuned 2.5-litre creating a 100bhp machine), but the way the cars were packaged and finished was a masterclass in doing it right, leading directly to the brilliant MkVII of 50.

 

1964-65 Aston Martin DB5

WHY IT MATTERS Almost overnight, a handmade GT built for a privileged elite became a getaway car for steely heroes.

The star turn in Goldfinger, James Bond’s third big-screen outing, was a silver Aston Martin DB5 with extras that money couldn’t buy, including a flip-up sunroof for disposing of assassins, and machine guns in the front bumpers. The magic of special effects transformed the rapid yet tweedy luxury coupé into an international must-have. Oh, yes, and there was a hairy-chested chap called Sean involved somewhere, too. Seen coldly, it was astute product placement, but no such vulgar term ever attached itself to the 150mph DB5, which thanks to sharing 007’s hazardous life took on a mystique for style and capability even Ferrari could never equal. Without the sex appeal, Jagger and McCartney, maybe even Prince Charles, would never have chosen the later DB6s.

 

1975-81 Vauxhall Cavalier MkI

WHY IT MATTERS Here’s the family saloon that changed the way we, and our dads, regarded mainstream cars

The first-generation Cavalier really lit the blue touch paper for Vauxhall. It was the car that made Britain help take Vauxhall seriously. It was an Anglo-German effort combining the Opel Ascona with a Manta front end, to result in a fabulous saloon to beat the Cortina MkIV at its own game. The Cavalier boasted sure-footed handling, and fine motorway cruising ability, all important for sales reps in a hurry. The timing was perfect, and the Cavalier, along with its smaller Chevette sister car, re-established Vauxhall as a serious player, just as BL stumbled in the marketplace. From 1977, it kept the Luton plant buzzing as cars cascaded off the lines there, selling alongside the Ellesmere Port-built Viva HC.

 

1965-80 Rolls-Royce Silver Shadow

WHY IT MATTERS For the first time, a Roller was aimed at owners who wanted to drive rather than be driven.

In one fell swoop, the flowing lines of the old Silver Cloud were gone. Here was a square-cut, modern Rolls with features like self-levelling suspension and all-round disc brakes. It was even more silent to travel in than its predecessor; faster, more economical, and more of an owner-driver’s car at a time when Rolls-Royce chauffeurs were becoming the exception, not the norm. The Shadow ditched a separate chassis, although aristocratic owners might not have twigged to such modernity while admiring the lustrous paintwork and gleaming chrome. It became a rolling advert for the best of British craftsmanship, the thing Americans think we do best… even though the Shadow had a lot of Detroit in its effortless deportment.

 

1962-73 Reliant Regal

WHY IT MATTERS Reliant had the big boys in its sights with the three-wheeled thrift of the Regal.

The Regal 3/25 series is the best-selling three-wheeled car of all time in the UK, with some 105,000 examples finding buyers. Of course, legally, it’s not really a car at all, more closely allied to a motorcycle-and-sidecar, and anyone who has ever driven and loved a Mini would rather get the bus than run a Reliant. But it was a clever design, intended to fit into its legal loophole that allowed someone with a bike licence to travel along British roads holding a steering wheel and without a skid lid. The controls were entirely car-like, and the glassfibre monocoque body was vastly better than on previous Regals, with the added advantage that it couldn’t rust. Drive with care (which means slowly), the Regal’s lightweight bag of assets (including a light alloy four-cylinder engine) could regularly deliver 60mpg – almost nothing on four wheels could come close to that.

 

1981-84 Triumph Acclaim

WHY IT MATTERS This was the very first Japanese car to be built in the UK – very well indeed, too.

The chaos of BL couldn’t have escaped your notice. A Government bail-out had saved it from bankruptcy in 1975 and henceforth the struggle to make it viable was neverending. Company boss Michael Edwardes couldn’t count on the Metro alone to save the business, and in 1979 signed a deal with Honda to get another attractive little car into production fast. That was the Honda Ballade, a Civic with a boot, and by 1981 it was flowing down the production lines at Cowley. A rarity for BL, it was a car built right (with Honda’s help) from day one. The engines and gearboxes were imported but 70% of the Acclaim by value was sourced here, which just qualified it as a British car.

 

1973-today Caterham Seven

WHY IT MATTERS Epitome of the roadgoing track car, a concept barely changed since 1957 when Colin Chapman invented it.

Lotus founder Colin Chapman astutely realised sports car fanatics yearned for a sophisticated but cheap-to-run dual-role car; something to drive to a race meeting, campaign with vigour, and then head home in afterwards. That was his Mark Seven. By the early 1970s, it was a bit too grass-roots for his upmarket liking, and one of his dealers. Caterham Cars, bought the rights. At the time, it was the best of the kit cars, but Caterham’s careful nurturing has, like a good whisky, enhanced the car into its maturity. No matter what engine has been fitted or how stripped-down the model, the four-wheeled-motorbike agility is always undimmed. Lotus probably never reckoned the Seven would be on enthusiasts’ wishlists four decades later. But it remains the ultimate weekend thrill machine.

 

1948-58 Land Rover Series I

WHY IT MATTERS The Jeep won the war but our very own Land Rover grabbed hold of the peace, and it was no uphill struggle.

Here was British ingenuity at its level best – 
a hybrid tractor-cum-pick-up, with all the off-road ability of the Willys Jeep and built from surplus bits and pieces to get around steel restrictions. Sounds like an unlikely recipe for a world beater? For sure, but the Rover company’s Land Rover was unbelievably capable. Its four-wheel drive system and 50bhp engine provided a healthy 80lb ft of torque at 2000rpm, so it could bound nimbly up and down slippery hills. Not unnaturally, every farmer in the country wanted one, but that was just the start, as Land Rovers proved themselves ultra-capable in tough situations all over the planet.

 

1980-81 Delorean DMC-12

WHY IT MATTERS Intended to provide employment in Northern Ireland, this gullwinged wonder so nearly succeeded.

At the final reckoning, it was a toss-up for John Z DeLorean whether to site his new car factory in Puerto Rico or Northern Ireland. In the end, with British Government funding, and close proximity to his engineering partner Lotus, the British province won the day. And for a time, all went swimmingly, as a keen-to-learn workforce bolted the stainless panels to the glassfibre structure and installed the Peugeot-Renault-Volvo V6 engines in the back. When things unravelled, though, they did so spectacularly, with frauds and drugs busts all bringing the DeLorean dream to its knees. Many say the venture could have been saved, but Margaret Thatcher would have none of it. Still, a recent surge of interest in the survivors has rewritten the DMC-12 into motoring history as a car of charisma and, indeed, some merit.

 

1962-73 Austin/Morris 1100

The Mini gets most of the acclaim for drawing on Alec Issigonis’s fevered, lateral-thinking brilliance. But this was actually an even more sophisticated and influential creation. Yes, it was front-drive, transverse-engined, subframe-built and all the rest, but it also featured an interconnected fluid suspension system called Hydrolastic, designed by Issigonis’s equally brainy mate Dr Alex Moulton, which gave a remarkably smooth ride. Under the bonnet sat a 1098cc version of the BMC A-series engine, front disc brakes were standard, and automatic transmission was available. And it was roomy, roomy, roomy. It all sounds mundane today; back in 1962, such a package was almost unheard-of, and for a while all the global big hitters, from Ford and General Motors to Fiat and Renault were at first aghast, and then scrambled to catch up.

 

1936-today Morgan 4/4

WHY IT MATTERS With the longest-running model name in motoring history, this sports carshows no signs of becoming obsolete.

Morgans have been handmade in Worcestershire since 1909, and the Morgan Motor Company has occupied its Pickersleigh Road, Malvern Link factory since 1919. It’s the car version of The National Trust, really. Furthermore, it’s been producing – at a steady, unhurried pace – Morgan 4/4s since 1936, changed lightly in detail, never in spirit.

The joy of owning these uplifting sports cars comes from wind-in-the-hair, vintage character and enjoyable, well-balanced handling; outright performance was important, but secondary. Ford engines arrived in 1955 and they can still be found under that multi-louvred, hand-beaten bonnet today. The 4/4 has unique post-vintage thoroughbred appeal with a rock-hard ride, flexing body and evergreen looks.

 

1958-97 Austin/Carbodies FX4 taxi

WHY IT MATTERS It’s Big Ben, Buck House and Bond Street on wheels – more visitors to Britain have known this classic than any other.

The FX4 was in production for such a hugely long time that we began to think it could never be replaced. Cabbies moaned about about costs and reliability, but these distinctive, rugged workhorses were built expressly for the job, and could put on half a million miles while plying for trade. For most of its career, the FX4 in its slowly evolving forms was the only cab on sale – but passengers loved them.

 

1968-86 Jaguar XJ6

WHY IT MATTERS Britain managed to pull off the impossible with this Jag, conjuring up a better all-round saloon car than the Germans.

This new British world-beater could out-corner Jaguar’s own E-type but had a silkier ride than a Rolls-Royce. Not everything was radical, mind: the XJ6 was a conventional saloon, front-engined, rear-driven, coil-sprung. From day one, buyers jostled to get one, although patchy quality often resulted in an irate return to the dealer. However, after struggling through the 1970s, vastly improved manufacturing standards introduced in the 1980s unexpectedly meant the XJ was still a serious player against the establishment Mercedes-Benz S-class, BMW 7-series, and Cadillac DeVille.

 

1968-92 Daimler DS420 limousine/hearse

WHY IT MATTERS At weddings, funerals, mayors’ visits and state occasions, these are an ever-present symbol of British dignity.

Designed to replace the regal Vanden Plas Princess, but essentially a stretched, risen, puffed-up and highly polished Jaguar MkX, Daimler limousines are usually black-painted to suit the formality of their many duties. They have long been a fixture of British public life, and remained popular with the Queen Mum throughout the long years of her later life. Wearing cream or white paint, these Daimlers increased the magic of the better class of wedding better than any stretched Granada.

If you’re giving your daughter away, it’s a fitting way to arrive at the handover. Then again, many a painful farewell has involved them too, as a fifth of all DS420s built were adapted into hearses. Known as ‘The Old Lady’ among chauffeurs, the biggest fleet of 22 was once the pride of Hong Kong’s Regent Hotel. And yet it cost a tenth of the price of a Rolls-Royce Phantom.

CLASH OF THE CLASSICS: FIAT 124 SPIDER VS MGB.

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Although these four-cylinder roadsters arrived from completely different backgrounds, both the MGB and the Fiat 124 survived the worst of 1970s inflation to reign supreme throughout 18 years of production. But which one is best?

 

Some call the Fiat 124 Spider Italy’s MGB - which is a tad unfair, as the Fiat usually works and an MGB isn’t made solely from rust. Declaring that either company produced the better car has been a debate raging on for nearly half a century. Now it’s time to wage serious war. 

 

The Looks 

As familiar as a phone box or a telegraph pole, the MGB is difficult to take in impartially. Although, if you take a fresh view and scrutinise the body you find that the lines, albeit it simple, are well drawn from nose to tail and look impeccably pretty. It may not appear imaginative and some call it ‘plain’, but parked next to the Fiat you can’t help but fall for the chrome and old-fashioned smile brushed across the front grille - an attribute that was lost with the introduction of rubber bumpers. 

The Fiat works with a handicap, as it had to be based on a shortened floor pan from a saloon - and Pininfarina had little time to pen those lines. However, the design has become timeless with only the period headlights giving away its age, recessed into scoop out wings.  New to us at the time, the flared wheel arches add a final dash of charm to steal your thoughts away to winding Italian roads and coastal sunshine. 

It’s all too easy to choose the Fiat for this round over the usual go-to looks of the MGB, but for style and stance the Fiat bags it for us. However, it’s a close run battle - for the MGB stole our hearts big time too. 

  

The Interior 

Being of sound BL management targeting, the interior on your MGB will vary depending on the decade. Early ones are lavished with leather seats and a nice steering wheel. Later ones have vinyl seats and parts bin components blighted by build quality that would make a leper wince. However, should you bag an early example you will be rewarded with a low seating position surrounded by black everything. It’s a pleasant space to be in - with the ‘Banjo’ wheel and Smiths dials being classically British. 

The Fiat 124 Spider is another retro 1960s/1970s ride to have a healthy obsession with black vinyl, but unlike the MGB enlivens the dark cabin with a swathe of polished wood, in which sits an impressive number of dials. There is only one extra over the MG however, and that is a clock - and who really needs one of them in a classic car? It’s the hood that swings it for the Fiat though, actually useable and way ahead of, not just the MGB, but also most roadsters up until the mid 1980s. It lifts and lowers in no time at all, making it a godsend should the heavens suddenly open. 

 

Power and Handling

The MGB isn’t fast - with the 1800 B-Series engine developing a maximum of 95bhp, shaking past 60mph from a standstill in little under 18 seconds. It also handles like a cement-laden bus, developing biceps in your arms faster than any steroid injection. It does produce a wonderful exhaust note however, warbling over a throaty burble on tickover before roaring into a meaty mumble when revved for take off. 

The Fiat is slightly more powerful, churning out a useful 10bhp more, although this feels like more than only ten ponies, beating the B to 60mph by over two seconds. The handling is also nimbler, heading directly into the corner where you point it.

 

Living With Them

Here is the MG at it’s best. Parts are easy to find, the club is massive and more importantly - the MGB is cheap to get a hold of. There are always hundreds of them for sale, and bargains are definitely out there.

The Fiat is entirely different. Scarcely available, if you’re really after one a seller can determine the price as it may be the only one for sale. Expect to pay upwards of £10,000, with good ones easily now fetching well over£15,000. Parts are also difficult to source - and could make an oil sheikh weep on the cost of having them sent to Britain.

  

The Verdict  

Developing and inspiring real thoroughbred passion, instead of enthusiasm, the Fiat is an outright champion. Yet, speed and handling isn’t everything. The MGB offers a great sporting heritage and a club waiting to welcome you with open arms.  

Both are cruising machines, but for us, although it’s second class in so many aspects - the MGB takes our podium as the people’s champion.  

PORSCHE 928 VS NISSAN 300ZX Z32 - CLASH OF THE CLASSICS

There was a time when the Porsche 928 was just another unloved, thirsty supercar. Decent cars could be picked up for low prices, which acted as a downward spiral – run on a shoestring, a 928 will not survive with its mechanical dignity for long. Nowadays decent 928s are heading over the ten grand mark and the very best are circulating closer to twenty grand. A low-mileage, manual GT model – a very rare thing indeed – was recently up for sale with a London dealer for north of £50,000.
However, what if there was a way to have a similar amount of power for much less? The Nissan 300ZX Z32 may have two less cylinders but it makes up for it with two turbochargers. So, in the battle of the big GT super cruisers, is the Z32 a match for the 928?

The looks
The 300ZX could only be a Japanese supercar. Some reading this will see that as a compliment, some will see it as a criticism. It's certainly distinctive, if not beautiful – of the Japanese supercars on sale at the time it's not suffered from outrageous wings (Toyota Supra) and isn't as of its time as the Skyline GT-R; it's also a lot more resolved than the Mitsubishi GTO/3000GT. They're all fine cars, but only the Mazda RX7 and Honda NSX – to these eyes at least – have aged better. It may be curvy, but it's muscular too – it looks fast sitting still, which is a pre-requisite for any supercar.
The Porsche manages this as well, but it has at least a decade on the Nissan – it looked like it was from a science fiction future back in the Seventies, and it still does today. The pop-up headlights are the only parts of the design that would mean it couldn't be put on sale now and look fresh. As it is, pop-up headlights up the cool factor by 100 anyway. 

The power
Revisions to the 928 saw power and engine size grow considerably over its lifetime – we're choosing to focus on the overlap years with the Z32. The S4's 5.0-litre V8 gave 316bhp with 317lb ft of torque – good for 160mph and the 0-60mph streak in less than six seconds. 1991's GTS added just under 30 extra nags to the horsepower stat and it now had 369lb ft of torque because the engine had been bored out to 5.4 litres. At the top end you'd be knocking on the door of 170mph and 60mph is done and dealt with in 5.4 seconds.
The 300ZX Z32's twin-turbocharged six-cylinder developed a healthy 300bhp and 283lb ft of torque, meaning 60mph was a mere memory after 6.5 seconds and you'd romping all the way to an electronically limited 155mph. While the 300ZX may be behind on figures, it's worth remembering that the 300ZX was a lot cheaper than its German rival; the fact it got so close is a remarkable achievement. 

The handling
The 928 was never really intended to be a sharp handler in the twists. It's a big, comfy and fast GT – a trans-Europe bullet. Thus on tighter roads it can feel a little bit unwieldy. Open it up on sweeping A-roads and motorways and it all starts to make sense – bury the throttle and a far-off roar means you'll be devouring the road faster than you can think of the three syllables needed to adequately explain the vision-warping sense of speed. The GTS brought in stiffer suspension and much more track-friendly steering, though this does come at the expense of some refinement.
The Z32, however, is rather more fun should you choose to show it tighter corners – it's a GT just like the Porsche, but it feels much keener. Its supremely balanced and it's hard not to leave the car grinning after an enthusiastic sortie. But just like the Porsche, A-roads and motorways are its intended playground, and in the real world it's more than a match for the Porsche. Motor Trend thought very highly of it – it was in its top ten cars for many years. 

The interior
The 300ZX falls down here – Japanese interiors of this age aren't known for their timeless elegance; there's a lot of boring plastic in here, though it is shaped nicely. However, if you've a fondness for Eighties dashboard gadgets then you'll adore the cluster of buttons hanging off the instrument housing – that's going to be a generational thing, we reckon. 
But if you like your toys then the 928 has those too – the digital dashboard was on its way out by the time the Z32 appeared but the gearbox shifter looks like something from the inside of an intergalactic battlecruiser. The swoopy dash and the angular leather chairs put us in mind of trendy vodka bars. Well, before the vodka anyway.
There are downsides to both interiors – some Z32 chairs are covered in the kind of cloth that would be deemed too uncomfortable for sacks of letters and 928 interiors can fluctuate from dreary to post-vodka deliriousness thanks to some fairly eye-popping colour combinations. To be honest, once you've kicked down to third in either car you'll not be worried about the interior.

Living with them
Both cars are supercars and neither can really be run on a tight budget. It is possible to maintain both at home, but when something goes wrong spectacularly you can expect a similarly spectacular bill. The key is to buy a good one in the first place and to then look after it carefully – it doesn't have to cost a fortune, but neither vehicle is one that will stand for neglect. Let's call this a draw.

Summary
A little bit of an admission – I adore the Porsche 928. It's fast, comfortable, good-looking and it has pop-up headlights. However, with prices for ones worth buying heading towards the £20,000 mark, it is unlikely to be taking a starring role on my driveway for some time. So if you choose the 928 I can more than understand, and I wish you well through envious gritted teeth.
However, for around a quarter of the price a 300ZX twin turbo makes a lot of sense. It's as futuristic and comfortable as the Porsche, and very nearly as fast. The only issue is the lack of pop-up headlights – one less thing to go wrong, however. But there is one final ace up the Z-car's sleeve – you could get it as a convertible, like this one we've found here. All in all, while I'd love a 928, I wouldn't be disappointed by the 300ZX.

BMW M5 E39 VS MASERATI QUATTROPORTE IV – CLASH OF THE CLASSICS

The BMW M5 E39 is often lauded as one of the greatest all-rounders ever produced. On one hand a perfectly comfortable four-door saloon, cheerfully at home on the daily commute and pottering around like any other family car, on the other a snarling, oft-sideways hooligan. So why would anyone choose the oft-criticised Maserati Quattroporte IV?
Well, it's good to be different – but does it stack up? Let's have a look.

The looks
The BMW M5 just exudes aggression. It may still be a four-door saloon, and able to live in office car parks without scaring people, but you know it's a highly capable machine just by looking at it. But it's also devoid of anything that might overstate its purpose – this is no blinged-up hotrod; something not all four-door supercars can quite carry off. 
The Maserati Quattroporte IV, by contrast, is a little more divisive. From some angles its subtly handsome, if not as outrageous. From others – particularly the rear – described diplomatically, it's 'challenging'. However, that rakish Gandini slash over the rear wheels does add some intrigue to the design.
Overall, however, it turns out that against every (tedious) national stereotype, it's the German that is the more flamboyant than the Italian. But which one works best for you?

The interior
If the Maserati's exterior could be described as subtle, the interior certainly isn't. In fact my eyes are still trying to refocus. It's delightfully comfortable in there, however, and it's hard not to be excited by your surroundings after a while. Mainly due to the abject silliness – after all, racy red (we've had to tone down our first few descriptive terms as this is a family website) and old-school pale wood is a peculiar combination. "A colonoscopy on wheels" was one description from an unnamed colleague.
The BMW, meanwhile, is an object lesson in stark minimalism – it's darker than the inside of Darth Vader's man cave and, frankly, just as cheerful. It's rather more sports-orientated than the Maserati – the seats are much firmer and body-hugging, which is what you'd be after should you get a bit lairy.
Thing is, part of my inner child disregards all this Munich modernism and desires the utterly silly Italian boudoir. Only a small part, mind. 

The power
This Quattroporte is an Evoluzione model, which was first introduced at the Geneva Motor Show in 1998. By that time Maserati was under the control of Ferrari and the QP was significantly refreshed. Its 3.2-litre twin-turbocharged V8 gave a more-than-healthy 331bhp with 332lb ft of torque, which meant you could hit 60mph just under six seconds and charge all the way to a top speed of 168mph. 
That top speed rather urinates over the M5's 155mph but of course, that's not the whole story. Unrestricted it's said to go all the way to 189mph. The 0-60mph dash is history in a smidgen under five seconds. The BMW's 4.9-litre normally aspirated V8 sounds fantastic too – the Maserati lacks a little Italian flair; not for the first time in this test. It also falls short of the BMW's 394bhp – not by too far though.

The handling
The M5 was the darling of the motoring press on launch. On one hand it could trundle benignly from place to place, perfectly composed thanks to its then revolutionary DSC traction control. Turn it off and it becomes an absolute monster; its beautifully balanced handling and communicative steering means that you'll feel directly stitched to the road. 
The Maserati is still fun – Ferrari had fettled the Evoluzione into an engaging steer; the steering is talkative and it's very direct. Where it falls down is the ride; it bobs around in corners and struggles to maintain its composure if you try any M5 heroics – after all, by 2000 this was more of a freshened-up old design, and it shows. You can liken it to a Shamal with a middle-aged paunch and a gammy knee; it's still capable of raising a smile but it's a struggle. 

Summary
The BMW M5 is a perfectly rational choice. It's faster, handles better, looks nicer and handles better. But there's just something about the Maserati – call it the joy of being different or feeling sorry for it, just looking at that ridiculous interior and remembering the performance gives it a certain appeal.
Why? For all its virtues, imagine how surprised a BMW M5 driver will be when the Quattroporte rocks up behind it in the outside lane of the motorway – and surprised further when it very nearly keeps up with it. That sounds fun to me...

BEASTS OF THE 'BAHN: MERCEDES-BENZ 560SEC VS BMW M635 CSI VS PORSCHE 928 S4

In the 1980s, battles raged between Germany's chief power brokers to try to win the war of the autobahn. How did they compare then, and which is the best modern classic today?

 

Let's start by thanking West German road transport policy in the 1970s and '80s, which did more than anything else to shape the cars we're celebrating.

That's because, while the first autobahns had been constructed before World War II, it was only as the capitalist part of the country became increasingly prosperous in the '60s that the network expanded. In 1970, there were 2500 miles of autobahn; by 1980, that had risen to 4530, and by 1990 - when Germany was reunited - there were 5500 miles. And what were the increasingly rich and hurried Germans going to drive on this splendid, and mostly derestricted motorway network? Cars like these, of course.

By the mid-1970s, the top German manufacturers found themselves in the middle of an almighty power battle, trying to create the ultimate high-speed coupes. Faster and more affordable than the hand-built Italian GTs from Lamborghini, Maserati and Ferrai that dominated this market sector, these cars were designed to operate safely at the sort of speeds that would have shaken their bespoke supercar rivals to pieces.

Although built for German tastes, they became hugely popular here in the UK, too. These bruisers from Porsche, BMW and Mercedes-Benz all gave you the opportunity to flaunt your wealth as the country powered through the '80s - and consumption didn't get much more conspicuous than a gold Mercedes SEC. They make a strong case for themsleves today, too.

 

Mercedes-Benz 560SEC

The bright gold Mercedes-Benz 560SEC initially steals the show - it's big, imposing, and very stylish. It also has quite a history, which might explain why it's now part of Mercedes-Benz UK's heritage fleet. Past owners include art critic Brian Sewell and, before him, Nigel Mansell.

Given its looming and unsporting presence, your expectations are that it's going to be a less engaging drive than the Porsche 928 or BMW M635 CSi. Initially your expectations are met - imagine driving a very comfortable sofa that can throw you effortlessly towards the horizon, and you have some idea of how the mighty Mercedes-Benz goes down the road.

Everything about it seems designed to make life as easy as possible, from electrically adjustable seats through to the deferential way the standard automatic gearbox shuffles its ratios. The 5.5-litre engine came only three years after the launch of the original C126 coupe, and as well as a power and torque boost over the earlier 500 SEC, it had a standard limited-slip differential to help it deliver its 295bhp and 317lb ft of torque safely to the road surface.

Although you can hustle the 560SEC along at quite a pace if the mood takes you, it's a cruiser rather than a bruiser. It has finger-light power steering, generously boosted brakes and a cabin that's calm even at autobahn cruising speeds. Back in 1989 its biggest rival was probably a Learjet.

But the SEC has a party trick up its sleeve. Select Sport mode on the floor-mounted gear shifter and it'll accelerate like a rocket. There's almost no hesitation as it hurls forward in a manner more sudden than you expect.

The range-topping C126 coupe was a technical tour de force in its day, pioneering many systems that have become ubiquitous in more mainstream cars since it was launched. For us, the highlight of the SEC experience has to be the automatic seatbelt winder - you'll never get tired of surprising first-time passengers with a robot arm that politely offers them their belt.

 

BMW M635 CSi

The BMW M635i CSi is one of the very rare UK-only Motorsport editions, meaning it was loaded with every available option.

In contrast to the Mercedes-Benz and Porsche's timeless lines, the M635 CSi looks about as '80s as it's possible to get without wearing a shoulder-padded jacket and clutching a Filofax in each hand.

The E24 6-series was an extremely long-lived car, on sale from 1976 to '89, but the ultra-clean lines of the early versions were lost beneath some very muscular bodykit cladding as time went on. By the standards of the day it was a tech-laden car, with a multi-function trip computer and - on this car - even a period British Telecom carphone. The straight-six fires into life with a purposeful snarl that leaves little doubt of the M635i's motorsport pedigree.

The straight-six can't match the grunt of the Porsche's V8, although 282bhp was a remarkable output for a 3.5-litre of the period. It's far keener to rev, pulling enthusiastically and delivering a forceful shove that certainly doesn't feel as sharp as we suspect it should - new linkage bushes would probably tighten it up - and the clutch pedal is heavy.

However, it steers and changes direction with markedly more enthusiasm than the Mercedes-Benz. The rack isn't ultra-accurate, but it delivers strong front-end responses alongside excellent feedback, with the rear tyres happy to play along to the throttle pedal. Even in the wet it feels progressive rather than snappy - alive and always exciting.

 

Porsche 928 S4

The Porsche 928 is a 1991 S4 model, meaning it's powered by the later 32-valve 5.0-litre V8 mounted beneath the long bonnet that pumps out 316bhp. Like most 928s this sends drive rearwards via a four-speed Mercedes-Benz sourced automatic gearbox in place of the standard five-speed transaxle.    

In comparison with the oh-so 1980s 560SEC, the sleek lines of the 928 still look modern from almost every angle - remarkable when you consider it first appeared in 1977.

The cabin is a comfortable place to spend serious time, with pliant seats, clear instrumentation and none of the cluttered ergonomics of contemporary 911s. Settle down into the interior and you're fully laid back - it's more a capsule to the horizon than a car cockpit.

The big V8 is still the 928's defining feature, with an abundance of torque giving it solid urge pretty much regardless of engine speed. But it's more than just a low-down slugger, with a sonorous enthusiasm for exploring the top half of its rev counter when called upon to do so - it's definitely the quickest in the group. It sounds great as well, like a big, comfortable Can Am racer.

But the gaps between the ratios of the autobox make themselves felt. Only 15% of later 928s were specified with the five-speed manual transaxle, but they're definitely worth looking out for. However, with some London dealers asking for more than £50,000 for low-mileage manual examples, you'll need to look hard and wide to land one of these for a reasonable price.

Your first introduction to the 928's steering may be disappointing - at low speeds it's heavy to the point of being obstinate. But that's a false impression - get on to sweeping A-roads, increase your pace, and it all starts to click. Pushing on and strong-arming the 928 through long sweepers with forceful but smooth inputs is the way to handle it, revelling in the linear responses and the vast reserves of grip.

Then when you come to a straight, boot the throttle and relish that V8 roar. Even with an automatic gearbox, you'll feel properly involved, with instant throttle response, and a V8 soundtrack unleashed straight from Beelzebub's basement. This is not a car for the faint of heart or small of bicep - and it's all the better for it. 

 

The Modern Classics view

The Porsche is definitely the design icon in this pack, but it's also curiously hard to warm to. It's a tool for going very, very quickly, but it's a bit devoid of soul in this company - unless you're truly hammering it, that is.

The M635 CSi feels like a car that's on the cusp of greatness. Usable and enormous fun to drive, it deserves to be treated like the true 'M' car it is, and there's the sense that it's been overlooked for too long.

Yet the SEC is a compelling and multi-talented offering, too, especially now values are rising. 

As modern classics, they all have appeal. The 928 S4 is rowdy and brimming with attitude, while the M635 CSi's dynamic excellence makes it most special. But the SEC is the prime modern classic by a narrow margin - it's simply more driveable for more of the time. That it's now beginning to appreciate strongly is the icing on the cake.

 

Originally featured in Issue 001 of Modern Classics magazine, pick up a copy by emailing Leise Enright at leise.enright@bauermedia.co.uk 

SALOON BRAWL: ALFA ROMEO 75 V6 VS MERCEDES-BENZ 190E 2.5-16

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They're prestige and power from different angles. It was the Mercedes-Benz that bettered the Alfa back in the day, but which is better now?

 

If the 1970s marked the rise of the GTI, then the 1980s was the decade in which affordable high-performance saloons clawed their way to prominence.

While practical pocket rockets stole all the headlines after the launch of the VW Golf GTI, the sports saloon was always the more logical choice for those with more money to spend. The various fuel crises of the 1970s made squeezing extra power out of smaller engines the way to go, but a return to more settled times in the '80s and greater affluence reignited interest in go-faster three-box designs.

There was only so much you could squeeze under the bonnet and into the back of a small hatch. Saloons offered a much more expansive canvas.

It was a wish to enter the 190E into motorsport that led Mercedes-Benz to ask the British Cosworth firm to work on a suitable engine for it. Originally envisaged for rallying, the Cosworth-produced 190E 2.3-16 found its natural home in touring cars instead in 1984.

Homologation rules meant a roadgoing version needed development, which allowed the public to enjoy the fruits of the Anglo-German engineering collaboration. The resultant car was highly capable and very desirable.

It was launched with some fanfare – Mercedes-Benz invited a group of F1 legends – young and old – to a one-off race at the then-new Nűrburgring GP circuit. New boy Ayrton Senna trounced the lot. Meanwhile, Alfa Romeo briefly forgot its financial struggles to commemorate its 75th birthday in 1985 with the appropriately named 75. More a thorough revamp of the nuova Giulietta than a completely new model, it was Alfa’s last offering before Fiat took over, and thus has something of a special place with enthusiasts, especially in V6 form.

The 75 offered superb performance, and also packed in current technology. There was even an onboard computer, which was quite radical for the time. It too was a regular performer on track.

Today, both cars tick a lot of Modern Classics boxes, and (especially in the case of the Alfa Romeo) have price tags that still make them quite attainable. But how well do they compare with each other 30 years after their heyday?

 

Mercedes-Benz 190E 2.5-16

There’s something of the night about the Mercedes-Benz 190E 2.5-16. In menacing blue-black metallic, its brooding persona is relieved only by the sparse areas of brightwork on the grille and the alloys.

Elegant, handsome and balanced, it doesn’t want to draw too much attention to what it’s capable of. The bodykit is subtle, with skirts so tiny they’re the sort of thing Bucks Fizz might have worn for Eurovision. Only the rear spoiler hints that something a bit more special is going on but, by 1980s standards, it’s very restrained. Later evolutions would sprout arches and massive spoilers, but in its purest form the 190E just doesn’t need to show off.   

Inside, the sober theme continues. A bank of additional gauges in the centre console is the main pointer to the Mercedes’ secrets, but apart from them, only the checked seats are a major departure from conservatism.

Start the engine and… there’s very little sense of drama. The four-pot whispers away quietly in the background, and even blipping the throttle fails to provoke the sort of raucous response that you feel something tweaked by Cosworth should have. Where’s the roar, the shriek, the anger?

It’s not even apparent when you get underway either. It is extraordinarily smooth for a big capacity four, feeling like it has at least two-more cylinders than there really are. Ride quality is equally silky – the suspension does a masterful job of soaking up knocks before they reach the cabin. It’s not floaty in any way, though.

To properly exploit the automatic 190E, you need to move the switch by the side of the gear selector from ‘E’ (Economy) to ‘S’ (Sport). And when you do, the car suddenly becomes alive, like a sudden injection of adrenaline. Although it’s only the gearbox's programming that's been altered, the whole car feels tighter. There’s a polite pause while kickdown takes a while to think about what it’s being asked to do, but once there you're catapulted forward on a wave of torque. It doesn't last long though, and the result is a car that seems to hide its rampant speed from your senses as soon as they pop up.

On corners, the Cosworth feels unflappable; sure-footed and safe thanks to the big lumps of rubber and low stance. That means predictable handling – even tight bends hold little fear, although there’s perhaps a hint of understeer if you’re too adventurous. But once in tune to the 190E, there’s no need for over-enthusiasm, because the brakes are so responsive they allow you to place the car perfectly.

This car may have excellent performance, but it’s reigned in within well-engineered parameters for the minimum of drama.

 

Alfa Romeo 75 V6

The Alfa Romeo makes it patently obvious it’s all about speed. The body kit is much more pronounced than on the 190E, making it look like a riotous racetrack refugee. There’s no beating around the bush here – this is full-bore 1980s aggression.

This car was Alfa Romeo’s 75th birthday present to itself, as well as its enthusiasts, and allowed itself a little creative chaos to celebrate. The blocky, modular dash matches the exterior lines, but it’s how Alfa has laid things out that really sparks the curiosity. The handbrake is an enormous U-handle that looks like you should use two hands to pull it up – or at least get an obliging passenger to help you out. The electric window switches are up in the roof, the door handles are triggers and the radio is right down in front of the gearlever.

From the moment you fire up the V6, it does its best to constantly remind you it’s there. It has a deep, clearly audible growl that pervades the cabin and encourages you to make the most of it. And, unlike on the Mercedes-Benz, toeing the accelerator just makes it sound better still. Already, the Alfa feels like the faster machine even though the stats don’t bear this out. Its bass-heavy soundtrack gives it an all-action flavour.

Having a manual gearbox helps, of course. The free-revving engine encourages you to hold on to the changes later, just to hear that delicious noise. The 75 also feels more responsive than the 190E, both at your right foot on the throttle and your left arm on the gearlever. Change quality is variable on these cars, but this one's been rebuilt, and is as good as it should be. It can be snicked quickly through the unAlfa-like short-throw gate, almost begging you to play with it – a delight when allied with its glorious engine.

The slightest pressure on the throttle urges the Alfa forward. You’d swear it has the better performance of the pair, although the figures say otherwise – probably because it's so vibrant, and telegraphs such a wonderful soundtrack at revs, full and richly timbred. There’s lots of feedback through the steering wheel, broadcasting the road surface like a wasabi-fed cockerel's morning call. The firm ride is jarring over some bumps, but is very well damped. The brakes need a hefty prod to give their best, a reminder of our own mortality.

The Alfa can be tricky in the corners – even at quite moderate speeds, you can feel the rear end get a little twitchy, especially in the wet. So, make sure you keep your wits about you, at least in the twisty bits.

Intimidating? Maybe, but you'll be grinning from ear to ear after you've tackled a favoured B-road at high speed. Then you'll want – sorry, need – to go back and do it again, and again, and again. The Alfa's a gateway drug to pure petrolhead addiction.

 

The Modern Classics view

This pair is alike in ability but wildly different in execution.

The Alfa is the firecracker of the two, with fingertip-twitching steering feedback, raspy V6 engine note and eye-popping styling. It's a Jack Russell, pulling at the lead, trying to take you into the next bend with a shouty bark. You may feel as if it's always trying to bite you too – but that's the appeal. It's certainly not the looks, or its reputation for brittle reliability, but most cars you'll find now will have been cared-for examples. These are rare now, and prices will only increase as the demand for 1980s cars grows.

The 190E may lack the hardcore immediacy of the Alfa Romeo but its thrills come in its ability to cover vast distances at ICBM-like speeds. It seems bomb-proof and inside, you feel invulnerable to anything that might be thrown at you. It's just you, the car and the road ahead – nothing to worry about, other than the boys in blue, of course.

The 190E is also the car that's shown most growth in the past few years. The best have sprinted towards £20k, and this growth is set to continue.

The 190E is more in demand now than it was when new – it's a car first, and a fast car second. The Alfa Romeo 75, however, is a flawed gem, and one you'll love. Consequently, in a head versus heart decision, we'll take the 75. It's a modern classic that will satisfy your driving passion, but thanks to great specialist support and rising demand, it also stacks up financially.

CLASH OF THE CLASSICS: MAZDA MX-5 VERSUS LOTUS ELAN

Clash of the Classics: Mazda MX-5 versus Lotus Elan

Clash of the Classics: Mazda MX-5 versus Lotus Elan

A quarter of a century ago two very different roadsters attempted to woo us with their visions of how the sports car should evolve.

Lotus had spent years honing its radical idea that sports car fun didn’t have to be rear-wheel-drive, teaming up with Toyota and then parent firm General Motors to hone the M100 generation of its Elan, which can be picked up now on CCfS for around £5,000. Mazda, meanwhile, was toying with the idea of reviving the roadster – which had spent most of the Eighties in the shadow of the hot hatch boom – in its traditionally lightweight, rear-wheel-drive form. The result was the MX-5 which can be picked up on CCfS for less than £1000.

So who got it right?


Round 1:  The Power

As long as we’re talking the range-topping Elan SE – and let’s face it, most of the M100’s buyers in period were – it’s an early victory for the sports car from Hethel. While there’s nothing wrong with the 115bhp and the appetite for revs you got from the MX-5’s 1.6 litre engine back in 1990, the turbocharged Isuzu unit in the Elan delivers a smooth 162bhp. It’s quicker to 60mph too, finishing off the dash in 6.5 seconds – two seconds quicker than the MX-5.


Round 2: The Handling

Both are brilliant, but in completely different ways.

Anyone who tells you the Elan isn’t a great steer clearly hasn’t driven one very far, but the emphasis is very much of effective handling and chewing up corners, even in tricky conditions. The MX-5’s lower grip threshold encourages you to play with it, and once you get a feel for its tail-happy qualities it’s big fun.

While it’s the Mazda that feels more immediately like a sports car in the conventional sense, it’s hard not to be impressed by the Elan’s interpretation of handling, so we’d call it a draw.


Round 3: The Roof

The Elan and the MX-5 have been designed to be enjoyed best al fresco, but this is Britain and it’s December. Best get the roof up then!

Lotus’ hood is an engineering marvel and it’s a doddle to put up in a downpour – pull the lever in the door aperture to unlock the tonneau cover, lift roof out, click it into place and then lower the tonneau cover down again to turn your M100 into a snug all-weather cruiser.

It’s great, but the MX-5’s is better still. Just reach behind you, pull the roof up, clamp it into place and zip up the rear window. The end result might not look as elegant as the Elan’s – particularly roof down – but in terms of sheltering you from a sudden shower the MX-5 wins this particular race.


Round 4: The looks

Lotus, in a roundabout way, is behind the look of both of these roadsters, because the original Elan of the 1960s was very much in the designers’ minds when they penned the NA-generation of the MX-5 in the late 1980s.

The MX-5’s lines have stood the test of time, with the outline still forming the basis of the forthcoming fourth generation model. However – and it’s a subjective thing – the Elan’s challenging curves look better still.

The square stance and the ‘cab-forward’ design might not be to everyone’s taste, but there’s something about the M100 which encourages you to stare that little bit longer. It’s more rewarding to look at than the Mazda’s traditional shape is.


Round 5: Living with it

Don’t dismiss the Lotus on the basis that it’s made by a small firm in Norfolk and its opponent is made by robots working for a Japanese conglomerate- the Elan, thanks to its parentage and clever engineering, is actually a fairly safe bet if you look after it.

Unlike the MX-5, which are prone to rust around the sills and rear arches, the Elan’s GRP body keeps the rust to the bits underneath, and the switchgear – as long as you know your 1980s Vauxhalls – should be reassuringly familiar.

Get a well-looked after Elan and it’ll reward you for years, but it still isn’t the no-brainer MX-5 ownership is. With the cars being so much more readily available, it’s cheaper to get into a good one, and parts are easier to come across.


The Verdict

 The Elan was years ahead of its time, looked wonderful and showed you can make a great front-wheel-drive sports car – you only have to look at the Fiat Barchetta and the Alfa Romeo Spider, which mimicked the formula, to see its influence.

The MX-5, however, is the better car for easily accessible al fresco fun – and surely that is what small sports cars are all about. For that reason, it’s the victor here, but we’d understand entirely if you went for the Elan instead.

What would you go for? Leave a comment and let us know…

David Simister

FORGOTTEN HERO: SUBARU LEONE (1600GL/1800GLF)

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It copied the Range Rover’s trick of blending off-road ability and on-road comfort for a fraction of the British 4x4’s price

If you were in the market for a small estate car back in 1977 nothing about Subaru Leone (renamed the 1600GL or 1800GLF in the UK) would have initially appeared unexceptional. The marque name would have been new to most British motorists, but Japanese cars were already a well-established aspect of UK motoring. 

Virtually every High Street would have at least one Datsun, Toyota, Honda or Mazda, so the Subaru’s ornate and faintly transatlantic lines would have instantly branded it as ‘one of those Japanese cars’. And if the Subaru’s styling looked dated 39 years ago – the thick pillars and the sharp nose clearly marked it as an early 1970s design – the pleasant equipment levels were certainly an attraction. 

Another bonus was the five-door estate version, for aside from the Morris Marina, all comparable British estate cars had a three-door configuration. In the company’s sales brochure were pictures of a 4WD estate that, tantalisingly, offered a switch from front-wheel to four-wheel drive that could be ‘made without declutching, without even slowing down’. 

CAR magazine tested one in April 1979 and concluded that the Subaru’s ‘ugliness, and wastefully designed body notwithstanding, showed it was a serious 4WD, with ruggedness and ability far beyond its appearances’. Coming from CAR magazine of that time this was high praise indeed. 

The Leone can trace is roots back to 1970, when a Subaru dealer in Japan was approached by a manager from the Tohoku Electric Power Company (TEPCO). Powerline maintenance teams often had to contend with deep snow, but the chap from TEPCO wanted an alternative to the company’s Toyota Land Cruisers which their drivers found cold and uncomfortable in regular use. 

What the company really wanted was a light four-wheel drive estate car that was rugged but comfortable to use during the summer months. The response by Subaru’s manufacturer, Fuji Heavy Industries, was to dismantle the flat floor of an FF1 estate and connect a propshaft to the rear axle. Two prototypes were tested in 1971 and eight models went into production, five being used by TEPCO and three entering government service. 

Compared with the standard wagons, the four-wheel drive versions had four inches more ground clearance than the standard model to accommodate the running gear, and the rear axle and differential were sourced from the Datsun 510 Bluebird. 

The fact that the FF1’s engine and transmission layout proved adaptable to the conversion did not go unnoticed by Fuji Heavy Industries’ management when it was planning a replacement. The Leone of 1971 was a larger car with slightly awkward Nissan-influenced lines (the older firm had taken a 20% share in Subaru in 1968), but following the FF1’s formula. The first model was a coupé, joined by a saloon the following year, but the major news in October 1972 was the 4WD Leone estate, launched at the Winter Olympics in Sapporo and the car to really establish the Subaru name in world markets. 

One key export territory was the USA, where Subarus had officially been sold since 1970. Prior to that there had been an attempt – without factory approval – to market the 360 in the United States, but that attracted a memorable Consumer Reports review headlined The Most Unsafe Car In America. 

The FF1 proved popular enough to vanquish memories of the 360’s suicide doors flying open on freeways. When the Leone arrived in the USA in 1972 it was renamed the GL (a reference to its trim level) and often re-sold in terms of economy, an increasingly important PR word in the wake of the 1973 oil crisis. There was also the faintly desperate claim that ‘Once it was beautiful engineering – now it’s beautiful cars too’. And just in case male car buyers in the USA were under the impression that the Leone lacked machismo, a memorable ad stated that ‘Playboy thinks a lot of its Bunny of the Year – that’s why they gave her a Subaru’. Let us discreetly ignore the lamentable ad campaign for the GL coupé – ‘Like a spirited woman who yearns to be tamed’ – even if the urging to ‘unleash the relentless power of 1400cc quodrozontal engine’ is funnier than nearly any BBC sitcom of recent memory.

When the four-wheel drive Subarus were first offered to American drivers in 1974, they represented a nimble and practical alternative to a Chevrolet Blazer or Jeep Cherokee. It was easy to drive – ‘front-wheel drive becomes four-wheel drive at the flick of a lever’ – and a respectable accountant or lawyer could enjoy part-time off-road motoring without owning the sort of vehicle associated with people called ‘Zeke’ who lived in Swamp County, Missouri. ‘Climbs like a goat, works like a horse, eats like a bird’ promised the importer. 

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Ronald Reagan had one!

By 1978, the export-only Brat pick-up – built in response to a request from the president of Subaru America – was so accepted by US drivers that even future US President Ronald Reagan was an owner. 

The range had been facelifted in 1977, the year that International Motors of West Bromwich began importing Subarus into the UK. Although they offered quite a complete range of cars, including the rather appealing GLF coupé, it was the 4WD models that were the focus of the line-up. The sort of motorist who would have been attracted to the Matra Rancho would probably have not looked twice at the low-key Subaru, but the nudge-barred wonder was deliberately aimed at suburban poseurs. 

The British market Subaru Leones (renamed, as in America, as the GL and GLF) were marketed to appeal to farmers, agricultural equipment dealers, and anyone who needed to drive off-road for at least part of their professional life, but who also wanted a reasonably priced estate of sober appearance. 

By the end of the 1970s, it was not unusual to see GLFs packed with farming machinery travelling across rural England, and during the Big Winter of 1978/1979 one of my most vivid memories is of a Subaru estate ploughing past stricken Ford Cortina GLs and Chrysler Avengers. 

A quarter of the 4553 examples sold in the UK during 1979 were the 4WD estate and the range was expanded in 1980 with an all-wheel drive saloon. This, promised Subaru, was ‘the complete answer for the professional – businessman, farmer, doctor or vet – who must keep going but who still want the comfort and performance of a car’. 

The 1600GL 4WD saloon was slow, with a top speed of around 87mph, but for just under £5000
– or only £400 more than the Morris Marina 1.7 HL – a driver could have a pleasant-looking family car that really could double as an off-road vehicle. 

Motor magazine grumbled about the ‘mediocre ride, handling, economy and accommodation’, but did conclude that its unique ability to combine two forms of motoring ‘might make it a very attractive proposition to a lot of people’. 

The first-generation GL was replaced in 1984. Today, the first Subarus in the UK are nearly forgotten due to a combination of rust and the curious belief held in some quarters that the history of the marque started with the Impreza. 

But it was the modest looking 4WD estate that remains one of the company’s most important cars, a ground-breaking vehicle capable of taking ‘enormous loads across miles of rough ground by day, then take you out to dinner by night’. And in 1977, no other new car in the UK could offer such a combination at such a reasonable price. 

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TOP 5: GREATEST GANGSTERS CARS

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One of our favourite aspects to any gangster story are the cars - always dripping with style and oozing panache. No matter if sliding round a corner or simply cruising around town, they always hold presence. Fancy a piece of the action? We have five motors destined to up your game.

Top 5: Greatest Gangsters Cars

Top 5: Greatest Gangsters Cars

All things gangster are currently kicking about in various shops, the release of ‘Legend’, telling the story of the Krays, whipping up our love of the criminal underworld.   

While you certainly wouldn’t want to partake in any pub shootouts or dinner party stabbing wars, you can certainly grab a piece of the lifestyle with their motors.  Here we have five top vehicles for the budding crime enthusiast - the running costs alone should keep you out of trouble… 

 

5. Jaguar MK X

The Krays rather enjoyed their Jaguar ownership. Perhaps there was plenty of room in the boot for those who stepped out of line…or perhaps the front end was large enough to mow down more than one person at once - regardless of reason they certainly looked the part and had the power to escape any potentially nasty situation. Springing a range of copycat models, nothing captured the grace and feel of the Jaguar MK X – one of the widest cars ever produced. 

Finding a good Jaguar Mark X can be difficult, but CCFS have you covered.

 

4. Mercedes-Benz 200 

If you sit down to watch any crime story during the Kray era, chances are a Mercedes-Benz 200 will make an appearance - and it certainly won’t be driven by the good guy. Quite often wafting around with the main villain enveloped in luxury in the back seats, the sight of that classy front end working its way up the road would send individuals sprinting in the opposite direction. Rightfully so, for as soon as it caught you - four heavies would likely realign your spine using a crowbar.

Like the sound of the Mercedes-Benz 200? We don't blame you – and you can grab one here. 

 

3. Ford Cortina Mk.II

Want to introduce yourself as Michael Caine? Simply say ‘My Cocaine’. Want to arrive looking like Michael Caine? Get yourself a Mark II Cortina. 

Long before his run as Bruce Wayne’s indestructible butler, Caine was Carter - a ruthless gangster hunting the culprit responsible for the death of his brother. However, unlike the archetypal villain he didn’t drive a Rolls, a Jag or a Mercedes. He had a Ford Cortina - no frills, Carter and Cortina were here to get the job done. 

Gangster car on a budget? This one is perfect.

2. Audi RS6 Avant

You may think this addition is slightly random, but if you’ve been fortunate enough to watch Layer Cake then you know exactly where we are coming from. 

Forget the brash-yellow Range Rover P38 or the Bentley Arnage, the star of the show was the Audi RS6 Avant. It may not be in the movie for long, but the way it flies over the country roads and its striking looks in the urban jungle probably sold the Audi to more people than its own advertisements did. 

And now, how many times do we see gangland stories on the news with an Audi wrapped in police tape? It’s not hard to see the alluring aspect for shotgun wielding suited types towards a fast Audi.

1.  Jaguar MKII /S-Type

The MK II was a revelation when launched and adored by both the police and blaggers alike. From Inspector Morse to the great train robbers, the MK II ripped up Britain’s roads at speeds in excess of 100mph. Immortalised as the ultimate gangsters car thanks to TV shows such as The Sweeney and films akin to Robbery, Villain and Get Carter - the S-Type took the reigns as the bad guys favourite during the 1970s. 

All models of Jaguar have found places in gangland hearts, but the MK II is without doubt our favourite – not to mention the wheels of choice for any gangster worth his chips.

Here we have a proper blaggers motor – it's even the 3.8 version…

Get a feel for gangland London – the Mark II's stomping ground - with the car chase from 'Robbery':

BUY BERGERAC'S TRIUMPH ROADSTER

The 1949 Triumph Roadster that was used by the BBC from 1985 to 1991 in making the TV series Bergerac is currently for sale on ClassicCarsForSale.co.uk. 

The Triumph Roadster as a model is instantly recognisable and has a strong association with the TV Detective series where it was driven by actor John Nettles. Once the TV series ended in 1991, the Triumph was auctioned by the BBC for its 'Children in Need' charity and raised £37,000. Since then it has been used to raise funds for charity - it has been driven from Lands' End to John O'Groats on two occasions, most recently in 2000 in order to raise funds for the Cornwall Air Ambulance. More recently, the Triumph attended the Celebrity Antiques Roadshow Trip, 16th-18th June 2014.

1610J comes with a comprehensive detailed history file containing invoices for maintenance work, photographs of a major restoration many years ago and a host of newspaper articles featuring the car.

TOP 5: BRIAN JOHNSON’S CARS

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While he may be the lead singer of AC/DC by night, by day Brian Johnson is a keen petrolhead , owning a collection of classics to leave us all Thunderstuck with jealousy. Here’s our top 5 from Brian Johnson’s extensive car history.

Brian with a big cat.

Brian with a big cat.

You may know Brian Johnson as a rock legend - but unlike his fellow icons Jim Morrison and Janis Joplin, Brian hasn’t spent his money solely on questionable hobbies involving sherbet (we’re told) and religious no-nos. Brian has long been a car enthusiast- and can be found behind the wheel instead of in an early grave.  

Owning a garage overflowing with class, style and rarity - to us, Johnson is more than a rock god - he’s our automotive messiah. Currently shooting about in a Ferrari 458 Italia and also keeping an Abarth 500 for more low-key thrills, in terms of charismatic cool, nothing comes close to Johnson.  Here we run down the top five cars our car/rock god has been enjoying recently.

You can keep with Brian Johnson's racing activities on his racing website. 

 

5. Rolls Royce Phantom 

The Rolls-Royce Phantom is one of Brian Johnson’s favourite cars - ever.  It’s big. It’s huge. It’s magnificent.  Ever since Johnson was growing up in Britain, he always felt there was something special about a Rolls-Royce - they were out of reach and unobtainable to the common man.  As soon as Brian had the chance, he bought one.  In his own words, ‘ I drive it like I stole it.’

The fact that the engine was built in Germany doesn’t ruffle his feathers in his hunt for Englishness personified in car form - for the next car on his list is as British as they come.  Perfect for the highway to hell?

4. Bentley 4 1/2 Litre Vanden Plas

The most iconic British automobile? Johnson believes so.  Raced by rich, young men who had lots of money, alongside cahoonies the size of a steering wheel. As it turns out, W O Bentley is one of Brian’s heroes - starting with aeroplane engines before moving onto producing a car that Johnson describes as ‘oozing Britishness’. Christened ‘Thunder Guts’, you can often find Brian driving his Bentley 4 1/2 Litre Vanden Plas around Sarasota, Florida as his daily runabout.  Well, if you want to be shook all night long…

3.  Mini Cooper 

Brian loves the Mini Cooper due to itsaccessibility - The Beatles had them, the Royal Family drove them, but then so could your dad. Desperate to race a Mini Cooper at Brands hatch, his dream finally came true after some rally lessons from the legendary Paddy Hopkirk . Climbing up the podium, Johnson fell in love with the Mini Cooper he was driving so badly that he couldn’t leave without making it his.  Offering to buy it from the owner, the first offer was refused. As Brian says: 

‘[The Owner] had two and said "I can’t sell it to you, Brian. It’s not possible."  And his wife came up and said "You have two of them!" He had two the same colour, buying the second one without telling his wife so he could pull it out and she wouldn’t know one from the other - but she had found out he did have two of them'.  Forced by his wife to sell the Mini, finally, Brian had his Cooper. Who said dirty deeds need to be done dirt cheap?  

2. Land Rover Defender/ Range Rover  Supercharged V8

Brian calls it his ‘Chelsea Tractor’ - a dark green Supercharged Range Rover V8 that resides deep within his Florida garage.  However, he also has major respect for the Land Rover itself.  He says that ‘England feels nice and safe. Because there’s Land Rovers there.’  He appeared downhearted upon discovering Defender production was coming to a halt, albeit finally getting to rally a Land Rover around the Special Forces training ground. He even has a soft spot for the Range Rover Evoque… 

1. 1965 Lola T70 Mark 1

With only 15 examples built, Johnson owns the very last one.  Hiding a 640bhp Ford V8 within the curved bodyshell. it’s not hard to see why he claims to get more excited over this car than any other. One of his race cars still pushed around racetracks come event season, it even tried to kill him. Pure T.N.T. As Brian explains, just listen to the engine note:

TOP FIVE: CLASSICS UNDER £2000

The bible of bangernomics would lead you to think the holy grail of motoring is to find a tidy classic for £1000, enjoy it, and sell it for more when you’re finished with it.

But with classic car market seemingly going into overdrive, it might be worth doubling that bag of sand into TWO BAGS OF SAND. That’s £2000 to anyone not equipped with a cockney to English dictionary.

The extra money widens the scope of the search, and what a search. Just look at all you can get for £2000 here

Here’s our top five to buy right now. Depreciation free motoring has never looked so good.

 

1977 Porsche 924 - £1850

Gone are the days of the sub £1000 924. Luckily, they’re only climbing slowly. This one’s a rare RHD model, with Martini Rosso livery. If you squint really hard, you could imagine you were tearing through Le Mans in your short tail Porsche 917k.

 

1989 Vauxhall Cavalier £550 - £750 (Auction)

‘Crikey I haven’t seen one of those in a while’ people will shout at your across the supermarket car park. Or classic car show. It’s only had three owners from new and has a recorded mileage of just 36,975.

 

2002 Jaguar S-Type - £1795

The S-Type is not the most loved classic in the scene, but it is beginning to get a niche following. Even if the looks aren’t your cuppa tea, there’s no denying it’s a lot of car for the money. Long MoT, and full of gadgets.

 

1979 Triumph Spitfire 1500 - £2000-£2500 (auction)

With a dizzying array of clubs, specialists and parts available for Triumph, it’s certainly a good time to buy one. Especially with this British weather… Undeniably pretty, and full of character, there’s a reason the Spitfire is so popular.

 

Mazda MX-5 - £1595

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What sort of cheap car list would be complete without an MX-5? Reliable, good looking and great value for money, with prices on the up. This one’s got 79,000 miles and 12 months MoT.